In modern society the passing that occurs most often is a homosexual person passing for straight. Homosexuality in a way has become the black sheep in modern society. During the Harlem Renaissance racial passing was much more common, African Americans with light skin passed for white because during a time of racial segregation life as a white person was much easier than revealing an African American identity. The creation of passing can be attributed to racism, but its continuation is attributed to prejudice against homosexuality and the like.
It is a story whose tension emanates from the three main characters and which concludes in a web of ambiguity and mystery. The unmistakable purpose lies in the psychological-social problem area, for the racial dilemmas illuminate intricate personal relationships, all of them possibly doomed.
She also studies potential marital problems precipitated by jealousy and suspicion, dilemmas of child rearing and infidelity, and financial security versus personal fulfillment. In passing, Clare has deliberately distanced herself from the past, but Irene quickly remembers, with more than a touch of uneasiness, her old friend as unpredictable, an aggressive, risk-taking woman who delights in living dangerously.
Yet, fascinated with the possibilities, she allows it, even encourages it, to happen. The persistent Clare, aided and abetted, however reluctantly, by Irene, makes herself part of the Redfield circle.
When her husband, the racist Bellew, goes off on his frequent business trips, Clare and the Redfields are together, for at these moments the passing woman feels that, in a sense, she is openly validating her own identity, reaching out to The entire section is words. Unlock This Study Guide Now Start your hour free trial to unlock this page Passing study guide and get instant access to the following:Constructing Identity: Race, Class, Gender, and Sexuality in Nella Larsen’s Quicksandand Passing Andrew W.
Davis Connecticut College, [email protected] As Helga struggles to define her racial identity she also tries to maintain her sexual autonomy. Through Helga’s journey, the novel defines and refutes the stereotypes.
Racial passing, which is a key theme in Larsen’s work, is only possible because the color line’s divisions are based on appearances. On Larsen’s depiction of passing, see Martha J. Cutter. On Larsen’s depiction of passing, see Martha J.
In Passing, Larsen implicitly challenges the social, sexual, and moral tenets of the New Negro movement, and she portrays the racially ambiguous Clare Kendry as she struggles to define herself outside of socially imposed racial and sexual parameters.
Sexual and Racial Tension in Larsen's Passing Clare Kendry and Irene Redfield are the two main characters in Nella Larsen's Passing.
We do not learn about the both of them by seeing or hearing the story from a neutral point of view. Sexual and Racial Tension in Larsen's Passing Clare Kendry and Irene Redfield are the two main characters in Nella Larsen's Passing.
We do not learn about the both of them by seeing or hearing the story from a neutral point of view. Rather, we are subject to envision the entire novel from b. The Veils of the Law: Race and Sexuality in Nella Larsen's Passing.
Download. her imbrication of the issues of racial and sexual "passing" can be seen as both an appeal to her potential audience and literary colleagues and an informed critique of socially conservative African Americans like Irene Redfield, whose understandable desire to.